editors note

The new issue of Tape Wounds Magazine is officially here!

The T4 tram rattles toward Parc del Fòrum. It is mid-afternoon, the Mediterranean sun is already punishing, yet the carriage is crammed wall-to-wall with people practically vibrating with urgency. A guy squeezed against the doors finally gives up on a patchy phone connection, shoving his mobile into his pocket before announcing loudly to the entire sweltering carriage: "They’re already queuing. There are three thousand people at the venue right now." We are all heading to the

The Met Gala has always relied on the fantasy that it is more than a party. It presents itself as a benefit, a cultural institution, and a carefully staged encounter between fashion and art. But in 2026, the whole thing feels harder to believe.

Why the Geese and Chaotic Good debate is really about class politics, privilege, and the growing pay-to-play problem in modern music marketing.

From Asian shoegaze to albums recorded in caves—sharing only the music that truly moves me.